From a long line of traditional Chinese musicians, Jie Ma began studying music and playing the pipa at age 5. She became a professional musician at age 14. Jie received her Bachelor of Music degree from one of China's top music schools, the Tianjin Conservatory of Music, in 2001. Jie also studied in China under celebrated pipa masters Wang Fendi, Liu Dehai, and Kuang Yuzhong, and ruan master Jilian Liu. Jie was also an adjunct professor in the music department at Liao Ning Normal University, and she has taught Pipa to a wide range of students in China and the United States. After coming to the United States, in 2004, Jie began exploring the possibilities of blending traditional pipa technique with Western and other sounds. In addition to working with classical musicians and composers, Jie has worked extensively with jazz and rock musicians on experimental and improvisational projects. Jie enjoys playing traditional Chinese arrangements, creating her own works, and fusing Chinese and other styles to create a unique sound that is all hers. In pursuit of her passion for music and the pipa, Jie has performed in China, Japan, and throughout the United States, as a soloist, in ensembles, and as a featured performer. In 2009, Jie was referred in the U.K. newspaper, the Guardian, as one of the "notable" pipa players in the West. In 2008, Jie was invited to perform at the Los Angeles Center for the Arts at Eagle Rock where she shared the stage with avant-garde musicians such as Vinny Golia on clarinet and Alex Cline on percussion. In 2008, Jie was invited to perform Zhou Long's "Farewell for Pipa, Erhu, and Ensemble" with the Seattle Chamber Players at Town Hall, Seattle. In 2007, Jie performed with the San Francisco Girls Chorus in its season premiere themed "Magic Strings." In 2006, Jie was invited to perform in an avant-garde project entitled "Sound for Picture" with the San Francisco Composers Chamber Orchestra, in which the sound of pipa narrated the history of San Francisco through the eyes of early Chinese experience during the Gold Rush. Jie also performed in the New York Winter Jazz Festival in 2006 where she gave a duet performance with percussionist Satoshi Takeishi. In 2005, and again in 2007, Jie performed at the Pan-Asian Musical Festival at Stanford University. In 2005, she also played with the Citywinds Woodwind Quintet in San Francisco in a concert that combined modern chamber music with Chinese traditional ensemble. In San Francisco, where she lives, Jie frequently collaborates with avant-garde musicians such as Philip Gelb on shakuhachi, jazz musicians such as Jeffrey Chin on piano, and jazz fusion musician Gary Schwantes on saxophone and Chinese bamboo flute. In her continuing effort to push the boundaries of the pipa in many different contexts, Jie has played with a wide variety of musicians from a number of different genres, including jazz, country, blues, and rock. Beyond what is outlined above, her performance history is wide and varied: Jie's impressive technique, exotic sound, musical curiosity, and tremendous stage presence are not to be missed.
